No mirth resonates within the confines of the bathroom.

The New York Times Recognizes Superbad as a Significant 21st Century Comedy

In a surprising turn of events, the New York Times has included the comedic film, Superbad (2007), in its list of the 100 best films of the 21st century. Published in June, this prestigious list is a testament to the film's enduring impact.

Superbad, directed by Greg Mottola, is a farce that follows the odyssey of three high school boys. The boys, on the brink of adulthood, embark on a mission to get alcohol for a party and, hopefully, lose their virginity. The film, while not categorized as a tragedy or a tragicomedy, is not devoid of emotional depth.

The boys' journey is juxtaposed against the backdrop of the film industry's general preference for dramas over comedies. However, Superbad has managed to carve out its own niche, gaining respect and recognition over time. This is evident in the film's inclusion in the New York Times' list, which is predominantly composed of comedies, about one fifth of the total.

Another notable comedy on the list is Anchorman (2004), directed by Adam McKay. The film is a farce about a vain, incompetent newsreader. Both Superbad and Anchorman have been highly praised by the New York Times for their comedic impact.

Interestingly, Superbad's inclusion in the list challenges the general trend of the film industry, where dramas often receive more awards and recognition. Despite this, Superbad has proven that comedies, especially those with a cult following, can gain respect over time, while some dramas can quickly fade into obscurity.

In conclusion, Superbad's inclusion in the New York Times' list of the 100 best films of the 21st century is a testament to the film's enduring appeal and its significant contribution to 21st-century cinema. The film's comedic narrative, combined with its emotional depth, has resonated with audiences and critics alike, making it a standout in the world of comedy.